Introduction:
If you find yourself asking, "Which MIDI controller suits me best?" or if you're in search of a new addition to your existing controller lineup, you're in the right place. In this article, we'll explore various MIDI controller options, weigh their pros and cons, and provide insights to help you make an informed decision on the perfect MIDI controller for your visual performances. (TLDR: Check out the bottom of this page for a quick guide).
MIDI 2.0 Disclaimer: While MIDI 2.0 is an exciting development, we won't delve into it in this article. If you're curious about MIDI 2.0, check out more information here.
USB 2.0 Limitations: Many off-the-shelf MIDI controllers still operate on USB 2.0, and it's essential to be aware of potential limitations. Despite advancements like USB 3.0 and Thunderbolt, USB 2.0's bandwidth remains a factor due to historical decisions in its design. Understanding this limitation is crucial, especially for users connecting multiple MIDI devices through adapters and hubs.
For a detailed explanation of USB 2.0 constraints, visit this forum post.
MIDI Controller Recommendations: Now, let's address the burning question: "Which MIDI controller is the best?" The truth is, there's no one-size-fits-all answer. Preferences vary, and factors such as size, portability, and functionality come into play.
Moving on! Minus the limitations noted above.
Question: Which MIDI controller is the BEST!
The answer: None of them...
Choosing the perfect MIDI controller is all about tailoring it to your needs. Some folks adore their Akai APC40MKII, but for others, it might feel like trying to fit a giraffe into a backpack. The once-popular LIVID OHM, rest its soul, could be a headache on tour if it breaks and you need a 2-day replacement.
Now, let's chat about the cool kids on the block – the SpecialWaves Mine S and the Intech Studio Grid. These modular wonders bring a lot to the table, but keep in mind they require additional software for configuration, come at a high price point, and with the GRID, you might have connection issues if you are jamming on an uneven surface.
Maybe you're eyeing something more pocket-friendly like the FaderFox UC4 or Korg Nano Kontrol. But do they have all the sliders, crossfaders, buttons, and encoders you dream of? And the eternal struggle – do you need pack a roll of Gaffers tape to keep them from sliding around? And don't even get started on the USB Mini or USB Micro cable saga. USB C - “The one port to rule them all?”
Ever considered an iPad with TouchOSC or the QuNeo controller? They're cool, but hey, do you find yourself playing a game of "Guess the Slider" when you're in the heat of a performance? Nobody wants to accidentally crank up the wrong vibe!
For someone like me, a top-notch MIDI controller is all about tactile buttons – the kind you can push, twist, or slide without having to give them the full-on stare. While I have mad love for TouchOSC and its customizable pals, they're more like my wingmen in installations and wireless show wizardry than the stars of the live performance show.
Now, if you're a fellow video mixer, you know the value of a killer crossfader. Beware of those budget DJ controllers trying to slide in with their wonky linear potentiometers – they might not play nice with accurate value recording or could put up a wrestling match of physical resistance.
So, whether you're into giraffes or pocket-sized wonders, this article should help you to find a MIDI controller that vibes with you and your needs. 🚀
Akai APC40 MKII and Teenage Engineering OP-Z
What to look for:
Price:
Budget is the name of the game here. Don't shy away from affordable or pre-owned MIDI gear, especially if you're just diving into the world of controllers. Fun fact: I learned to VJ with a mere keyboard and mouse before getting my hands on a controller. It has saved me in a pinch more than once when I couldn't hook up a MIDI device for some reason. And hey, mapping out "QWERTY" on your laptop keyboard can be a surprisingly effective workaround!
For used gear, you can expect to spend anywhere from $20 to $300. Unless you're after something truly unique, it shouldn't break the bank. If a controller is missing slider knobs or caps, fear not – these can usually be easily replaced or 3D printed.
My VJ setup circa 2009 with a $50 used Hercules controller.
Buttons:
When it comes to buttons, it's not just about functionality but also comfort. Entry-level DJ controllers often sport hard plastic buttons, which can be fine initially. However, if you're pounding on your MIDI controller a few thousand times a night, you might lean towards controllers with softer silicone button tops. The satisfying click of an arcade button is all well and good, but your tapping style might need some adjustment with hard buttons.
And remember, button size matters! Most manufacturers have caught on to this – if the button is tiny, leave some space around it for those with larger fingers. This consideration is crucial if you're creating a TouchOSC template for your tablet or phone. Spacing buttons out a bit might save you from accidental headaches during a live performance.
Hercules P32 DJ (with soft buttons).
Wired vs. Wireless:
The wireless dream is tempting, but hold your horses – not everything should be wireless just yet. As of now, finding a reliable wireless MIDI controller can be a bit like chasing a unicorn. I had my share of fun with a Kickstarter-backed Livid MINIM, but the quirks of dealing with Apple's Bluetooth MIDI monitor and wireless latency became more of a hassle over time. While TouchOSC has shown good latency results, it depends on your network. If you're planning a show on a shared "club network" with hundreds of people, be prepared for some random drops in your signal. Sure, you can carry a tiny wireless router, but that's another tool to lug around – good to have but not exactly necessary.
And speaking of rumors, I might be spreading some here, but the original Loupedeck had a wireless version that got scrapped. While tinkering with the Intech Studio Grid, I noticed an ESP32 module with an UMCC (Ultra Miniature Coax Connector) connector (Antenna?) – perhaps an idea they were toying with as well? If you've found a wireless option you love, please spill the beans in the comments. There's definitely a time and place for wireless MIDI, especially for musicians, but finding a solid solution for live visual performances can be a tricky dance.
Inside Intech Studio Grid controller. Notice the small “Antenna?” connector.
Customizable MIDI Configuration:
Don't underestimate the power of customization. You might not think you want to bother with tweaking your controller's MIDI Note or MIDI CC commands, but trust me, it becomes a necessity as you add more controllers and MIDI devices to your setup. It's easy to end up with buttons and sliders on different controllers sending the same MIDI CC or Note values. Some controller configurations allow you to change notes from momentary to toggle, tweak LED colors and brightness (a crucial detail), create presets, scenes, special functions, and, most importantly, change MIDI Note or CC values.
USB Port Type:
The world of USB ports has seen some changes over the years. If a new controller hits the market without USB-C support, it might raise an eyebrow. USB 2.0 type B connectors (yes, the ones that look like USB printer cables) are still common, and having a USB type B to type C cable is handy. However, USB type A is on its way out, and if you're a Mac user, you might need a dongle or adapter. Pros of the B type connector include sturdiness and foolproof plug-ins, but for compact controllers, USB-C is the space-saving superhero. I have some older controllers with Micro USB and Mini USB connectors, but these are also on the verge of extinction and are arguably weaker than USB-C.
Even with a USB type B connection on my LIVID OHM, I drilled holes into the metal frame and added a screw-in type B connector to avoid breaking the port during rowdy gigs. For fellow Livid enthusiasts, there's a thread in our forums where users discuss custom repairs and upgrades.
And here's a wish – more USB-C ports on newer controllers with threaded cable points. You might not need them, but having such a feature is a nice safety net, just in case!
Livid Ohm with threaded USB connector.
Controller Size:
Size matters, especially when it comes to MIDI controllers. Some are thick, others larger than a 19" laptop – options galore. While variety is the spice of life, it's crucial to factor in backpack space, especially if you're a globetrotter. I learned this the hard way when a potentiometer on my LIVID OHM RGB SLIM took a hit from being squeezed into my backpack alongside my laptop and hard drives. For those who love backpack touring or travel, larger controllers might hog all the room, leaving scant space for essentials like clothes and accessories.
Conversely, a controller that's too small or not weighty enough might pull a slippery stunt on a smooth surface while you're in the groove. The good news? Gaff tape to the rescue! You can secure everything down for the gig and peel it off when the show's done. It's a lifesaver for keeping your setup steady and avoiding impromptu glides during critical moments.
My top small controllers are:
Korg Nano Kontrol 2 (plenty of sliders, pots, and buttons)
I'm newly a fan of the INTECH STUDIO GRID controllers a single PBF4 is a great all around option.
AKAI LPD8 MKII is nice, but I personally prefer more linear sliders and a cross fader (The NuMark DJ2GO2 is a fun inexpensive controller, but it does have hard buttons!)
FADERFOX UC4 (if you can get your hands on one)
(And if you play music) Teenage Engineering OP-Z or OP-1 Field. These are obviously more expensive, but offer different functionalities than other MIDI controllers. You can put them into a mode that outputs MIDI to use with your favorite MIDI compliant applications.
OMNITRONIC FAD-9 It’s like the Nano Kontrol with a crossfader.
DIY MIDI Controller. I'll dive more into this later, but make your own. It's far easier than you think, and if you source good components, it will a solid yet customizable solution for years to come.
My top mid-size controllers are:
DIY MIDI Controller!
Novation Launch Control XL or Kontrol F1 are pretty cool, but I'm starting to like the Intech Studio Grid as a modular / alternative (and very customizable) alternative to the Kontrol F1.
Electrix Tweaker! If you can find this device, it made use out of the Livid Brain. Has solid components and sturdy build. This or the FaderFox DJ44 would be awesome if you can get your hands on one (and not overpay).
Special Waves Mine S (expensive, but customizable), doesn't have a low resistance linear potentiometer to act as a cross-fader, but you can orient their linear sliders however you like. It's also on the thicker side, but easily fits into a backpack. It's when you add a protective case that this becomes bulkier.
Hercules P32DJ. I would place this at number #1 if it was $150, was fully RGB, and supported some more customization functions. It's a good size, durable, and has a good mix of everything you might need. The 16 beat pad alternative function buttons can take some getting used to. Each one has different MIDI values so make sure you know if you are in Hot Cue, Loop, Slicer, or Sampler before mapping. Like some of the other "DJ controllers" this also has a built in sound card, but I haven't even tested the one on mine yet.
Electrix Tweaker
My top large controllers are:
Akai APC40 MKII, but only because it is thinner, and easier to purchase. I'm actually left handed and the right-side positioning of the cross-fader is a little weird for my liking. That being said, VDMX has a APC40 MK II template to get you started. I would also say, there are a number of buttons and encoders built into the APC40 that are more friendly to setup for Ableton users.
LIVID OHM RGB SLIM (it's a classic), but hard to find.
Controllers to avoid:
I really wanted to love the Samson Consipracy, but it seems the company gave up on it as soon as it was released. It has a really annoying "sleep mode" that activates and starts running patterns when you haven't touched the controller in a while. The "configuration" software is buggy and outdated, and some of the features such as the XY pad and linear sliders are less accurate than they should be. Maybe I had a bad unit, but I had a hard time getting smooth cross fades with this inexpensive gear. (It's size was perfect too, I really wish they didn't abandon it.)
Old MPC controllers / Legacy Gear. While you might find some old MIDI controllers that look cool, it is possible to buy a controller that doesn't talk well with your machine. I have an old Akai MPC MIDI controller that just wouldn't work with my mac. Maybe it needs a Windows 95 machine to keep it going?
Non-Bus powered devices. Having to find an extra outlet to plug in your gadget seems a bit uncessassary. If you are powering a 88-keyboard synth, I can understand, but newer devices can supply enough power over USB C or thunderbolt to power almost any MIDI device that you may need.
Kickstarter campaigns. I'm not saying NO, but I am saying be cautious, especailly since there have been a number of Ghost Kickstarter campaigns over the years that creators took the money and ran. It helps if it is connected to a trusted company or community, but there's no gauruntee that you'll get that new fancy thing, or that it will be delivered when estimated. A few that I backed in previous years went months beyond their estimated timeline or fell short with the final product.
Older Keyboards. While some of these are great, they might lack up to date software to allow for customization.
Roli Seaboard series. Unless you need it for something specific, it's not the easiest to configure with most MIDI learn functions. The "5D Touch" functions are fun for music, but even a lot of audio plugins will treat these expensive devices the same as a single octive MIDI keyboard.
I'm going to say it, and you may not agree. I am not a fan of the QuNeo. I've had two of them on different occasions can the touch, press, slide, functions of the "linear sliders" cannot compete with a physical slider. I love the size. I love the colors and features, but try mixing a bunch of visuals with your pointer fingers and you'll feel how quickly they can get aggitated after a few EDM sets.
$100 stand alone cross fader. (mine as well DIY) Too expensive for what it is.
Micro MIDI controllers (mine as well DIY), sometimes too small for what you want (or too expensive for what you're getting).
Now to show some big love in this post:
DIY MIDI CONTROLLERS!!!
Intech Studio Grid on left, DIY MIDI controller on right.
Creating your own MIDI controller is not just a walk in the park—it's easier than you could ever imagine! Besides being a budget-friendly alternative to most controllers on the market, the best part is the freedom to customize it exactly to your liking. The key is sourcing good quality components, and that's a decision driven by your budget and desires.
I want to give a shoutout to @NerdMusician on YouTube. While I'm not affiliated with him, his latest MIDI Controller Code Generator is a total game-changer, making it a breeze to dive into building a custom controller. Check out the magic here: NerdMusician's MIDI Controller Code Generator.
Let me share a personal story. In my touring project using MadMapper and VDMX, automation is the name of the game. However, there's this one pivotal moment in the show where I needed two buttons and a crossfader. Instead of lugging around a bulky controller, I crafted a palm-sized wonder. It's perfect, compact, and cost me less than $10. The 3D printed case was the only extra touch, and the whole process took me a mere 10 minutes once I got the hang of it.
If you opt for an Arduino Pro Micro (with USB C), grab the 5V/16MHz version for less than $4. With this little gem, you can swiftly customize a few buttons and linear potentiometers to suit your needs. I personally snagged the same Bourns sliders I cherished in my Livid Ohm devices from Digi-Key. It's an affordable DIY project that packs a punch in functionality!
Or a few newer ones with an LED built into the slider.
It's easy to wire up a variable resistor to turn down the brightness of LEDS or crank out some programmable arduino code that allows for RGB LED customization.
If you want something basic and like to solder / troubleshoot electronics, a few components, the code generator, and this video will get you well on your way.
If you need more (multiplexers, crazy buttons, etc.), then I'd sign up for their MIDI course and get access to the "Advanced Code Generator," but it's not necessary to get started right away (or as soon as your Pro Micro board arrives in the mail).
Big thanks to the Nerd Musician for making this easy an accessible!
TLDR: MIDI Controllers.
Size Matters:
Larger controllers like the Akai APC40MKII offer extensive features but may be less portable.
Modular controllers like the SoundWaves Mine S or the Intech Studio Grid provide customization but may require additional software.
Compact Options:
Smaller controllers like the FaderFox UC4 or Korg Nano Kontrol offer portability but may lack certain features.
Alternative Interfaces:
Devices like the iPad with TouchOSC or the QuNeo controller provide unique interfaces but may have ergonomic considerations.
Features to Look For: To guide your decision, consider the following factors when choosing a MIDI controller:
Price:
Don't shy away from affordable or used MIDI gear, especially if you're just starting.
Buttons:
Pay attention to the type and size of buttons, as well as their durability.
Wired vs. Wireless:
While wireless options exist, reliability concerns may make wired controllers preferable.
Customizable MIDI Configuration:
Look for controllers that allow easy customization of MIDI commands.
USB Port Type:
Consider controllers with USB-C support for future-proofing.
Controller Size:
Factor in the size of the controller based on your needs and portability preferences.
Controller Recommendations (Condensed): Here are some recommended controllers based on size:
Small Controllers:
Korg Nano Kontrol
FADERFOX UC4
Teenage Engineering OP-Z or OP-1 Field
DIY MIDI Controller
Mid-Size Controllers:
Novation Launch Control XL
Kontrol F1
Electrix Tweaker
Hercules P32DJ
Large Controllers:
LIVID OHM RGB SLIM
Akai APC40 MKII
Controllers to Avoid: Based on user experiences, consider steering clear of:
Samson Conspiracy
Old MPC controllers
Non-bus powered devices
Kickstarter campaigns
Older keyboards
Roli Seaboard series
QuNeo
Expensive stand-alone crossfaders
Micro MIDI controllers
DIY MIDI Controllers: For those feeling adventurous, creating a DIY MIDI controller is easier than you think. Check out NerdMusician's MIDI Controller Code Generator for a step-by-step guide. DIY controllers offer customization, affordability, and a rewarding hands-on experience.
Conclusion: Choosing the right MIDI controller for visual performances boils down to personal preferences and specific needs. Whether you opt for a commercial controller or embark on a DIY journey, ensure it aligns with your performance style and technical requirements. Share your thoughts on social media using @VIDVOX or #VDMX, and let the community know what works best for you.
If you're on Instagram or X, tag us @VIDVOX or use the hashtag #VDMX so we can see what you are up to!
If you like this article, post and share you thoughts, or reach out in the forums. Tell us if you like it and want more.
This article was written by ProjectileObjects. You can learn more about them at http://projectileobjects.com/ or follow them on Instagram @ProjectileObjects